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Connecticut Journalist to Sue Halle Berry for Copyright Infringement, Media Suppression


Halle Marie Berry in a role soley based on Ann Marie Adams featured in the 1990 movie “Strictly Business.” Adams was a trained actress and a trained model, who worked as a club girl and a hostess in Manhattan and Brooklyn from 1989 to 1992. The photo was photoshopped to look like Adams. Berry, who was chubby before 1987, have been trying to cop Adams’ pretty face and slender physique since 1990, while her associates altered or distort Adams’ face with unknown devices in photographs and then stalked Adams. The photo itself does not match Berry’s actual face in the movie.
Male actor: Joseph C. Phillips. Photo Courtesy of Warner Brothers

By Gordon Henry and Jasmine Sanborn, Staff Writers

HARTFORDThe Hartford Guardian‘s Publisher Ann Marie Adams is expected to sue Halle Marie Berry for loss of revenue because of media suppression, invasion of privacy, theft of services and copyright infringement.

Consequently, Adams was forced to alert people about this kind of media suppression that has been expertly done in secret for years by Berry’s associates. A clandestine operation to suppress local journalists, therefore, demanded attention from advocates for a strong democracy and a free press, Adams said.

“Without Adams, there is no news publication called The Hartford Guardian. She founded an organization that employs dozens of local journalists, support staff and volunteers, who live in Hartford and surrounding areas. So this is not a personal issue. It is strictly business. It affects workers, who need a paycheck. If Berry and her friends disrupt Adams, they are also disrupting her business and her employees,” said David Williams, UConn-Hartford Campus Director emeritus and a board member for The Hartford Guardian.

The recent attacks by Berry and her associates allegedly first happened at the White House inaugural ball in January 2013. Afterward, Adams, who now lives in Hartford, was stalked and attacked again in 2014 at her townhouse in Avon, CT. Adams was clueless about Berry’s unorthodox methods of appropriating her likeness and theft of services until President Barack Obama intervened on Adams’ behalf.

Adams, an award-winning journalist and historian, claimed that Berry, 53, has been invading her privacy and appropriating her likeness and biography since they were both selected for the 1991 movie “Strictly Business.”

It’s a Caribbean-American look. More specifically, it’s Adams’ look and style, said Dr. Karren Dunkley, a Jamican Diaspora Northeast Representative.

Adams was a trained method-actress and model. She was featured in two scenes as Ann Marie Rose in the 1991 film, “Strictly Business.” In between takes, Berry approached the director to express her dissatisfaction about Adams presence in the movie because Adams was considered competition in New York. Also, Berry had slimmed down to look like Adams for the role that launched her career.

Above: Halle Berry before she entered the Miss Ohio pageant in 1986.

Moreover, Berry and her associates have frequently interrupted Adams’ career since Adams was editor-in-chief of The Kingsman, a newspaper at Brooklyn College. They continued to interrupt Adams, while she was at the Times Herald Record in New York and The Hartford Courant in CT, where she won a national award for first place in education reporting in 2001.

Ann Marie Adams was Ann Marie Rose in this club scene before Berry approached her on the set to express herself about Adams’ presence in the movie because Adams was competition during the 1990s acting and modeling scene in New York

And the disruption continued into 2014, Adams said. Berry and her associates, some of whom traveled to Connecticut, staged adverse experiences for six years, while Berry auditioned, rehearsed and promoted “John Wick 3, Parabellum.” The media suppression was primarily to thwart the news story about Berry’s invasion, according to Hollywood insiders, and to prevent Adams’ from promoting her accomplishments with her own facial features in pictures. Instead, Berry appropriated Adams’ likeness,and tried to change it drastically on camera at the White House in 2015.

Ann Marie Adams at the White House in 2015.

Since her first movie, Berry has been appropriating Adams’ likeness, not in all movies or all scenes, but enough times for Adams to be concerned when she saw a semblance of her face on screen.

“Berry just didn’t want to give up playing that character based on me in Strictly Business,” Adams said. “I had to wait years before someone gave Berry a reality check: The movie is based solely on me. So clearly this matter of collecting what I’m owed is strictly business.”

Sources said the scarilegious move by Berry and others was designed to disturb Adams and, of course, to gain financial success. Because Berry used Adams’ unique look, while she had others changed Adams’ perfect face and body with unorthodox methods, this was considered human rights abuse and economic oppression. According to Attorney Amal Clooney, the perpetrators of human rights abuse should face justice for thier crime.

Berry and her associates caused about $30 million in damages to Adams’ waist, breasts, perfect white teeth, legs, hands, eyes, and vocal chords to stop her from appearing on NBC’s “The Voice” in 2014.

The insanity was aided and abetted by several U.S. Secret Service agents, who the perpetrators enabled as they stealthily attacked Adams and her family during an investigation. Afterward, they were fired.

“It was also unadulterated xenophobia by people, who thought they would get away with this mess,” said Adams, who was born in Jamaica and is now a U.S. citizen. “Berry and associates were out of touch with reality and mired in avarices, a greed for wealth.”

Top Photo : Ann Marie Adams on the set of Strictly Business: Right Column: Halle Berry in 1992 movie “Bomerang”: Opposite Berry (bottom): Adams covering the White House in 2015 and Berry (bottom right) in the movie, 1998 “Bulworth” Berry invaded Adams’ privacy and appropriated Adams’ likeness for 30 years before Adams was informed about this crime of the century by a well-known celebrity billed as ” one of the world’s most beautiful women” with Adams’ face.

Berry Cops Adams’ Face

It’s an incredible story that unfolded over the last six years. The psychology of an ugly girl, who wanted to be pretty was on display, so much so President Vladimir Putin had to intervene when Berry visited Adams in her townhouse in January 2013 with unorthodox devices.

Sources close to the White House and the Federal Bureau of Investigation said they had to reveal the depth of the depravity used on Adams and her family to hide this farce by Berry and others, including Bill Cosby. As a result of this six-year investigation, they are calling for Adams’ face not to be used on the internet with the name Halle Berry to confuse the public. This lie by Berry and her associates violates the public trust, according to Avon Police Officer Johnathan Hayes, who first broke the news to Adams, who also made a complaint to two Avon police officers on April 3, 2014: Officers Mark Vess and John O’Neill. They failed, however, to take action to arrest the suspects.

In the past, the closest, Berry got to getting an exact replica of Adams’ face was in “Boomerang” released in 1992 and “Monster’s Ball” released in 2001.

“To me, Berry and her associates were sending a message about a particular incident when I was in show business. It was disturbing to see similar incidents in other movies that featured Berry,” Adams said.

Both movies also had scenes depicting an incident with me and Tupac in “Juice,” a different movie set about another club scene. The producers, writers, and directors on that and other movie sets have some explaining to do, she said.

That disturbing trend, Adams claimed, includes Berry dating men, who look similar to at least four of Adams’ former boyfriends.

More recently, Berry allegedly used local and national allies to assault Adams’ face and body with unorthodox methods. One link to this story is Marcy Carsey, the producers of “The Cosby Show” based in part on Adams’ family. Carsey is Jewish, and so is Berry’s mother, a likely pair that has been allegedly sabotaged Adams and her family to hide the truth.

Left: Ann-Marie Adams in 1992 looks the same today and discovered that Berry was still appropriating her likeness, biography and fashion style in 2019, especially during the filming and promotion of the John Wick 3, Parabella movie in 2019. This photo, and other photos, was slightly distorted with shadows by Berry’s associates

Before becoming an award-winning journalist and scholar, Adams was a trained model and actress in New York during the 1990s. To discredit her claim, Berry and allies distorted Adams’ pictures, stole pertinent documents, albums and flyers for years. The change was mostly to Adams’ color in photographs, especially when Adams was on WFSB Channel 3 as a commentator.

Adams has a Ph.D. with distinction in U.S. History from Howard University and a Master’s degree in broadcast journalism from Quinnipiac University. She graduated with honors from Brooklyn College with a degree in journalism. She also has a paralegal certificate from Boston College. Her varied experiences and deep knowledge of city, state and federal government, as well as government and politics was used without her permission during the six-year ordeal by several intruders close to Berry–just to get a sense of how Adams look so she can appropriate the face again, as well as to “steal” her education.

Why Halle Berry Was Fired From Strictly Business…Wasn’t Reported Until Now

Halle Berry in 1986 does not look like Adams. In 1989, Berry changed her face to look similar to Adams.

Consequently, Adams is seeking justice for the many attempts by Berry and her associates to distort her face in photographs and on television, while Berry appropriated her face in movies and other promotional events since 1990. The most recent invasion of privacy in Adams’ Avon townhouse in 2014 to confiscate wardrobe used on “Strictly Business” was too egregious, said Adams, who was wants reparation.

Berry switched from her shoulder-length hairstyle to a pixie similar to Adams

Girl Interrupted!

Adams, a former English Composition professor and tutor, was confused about the motive for this kind of treachery toward her:

“One of the rules in the English language is to avoid plagiarism, copying knowledge that doesn’t belong to you. Students should always give attribution. When you mistake copying a book to copying someone’s face, you must be sued. Sometimes, Berry appropriated my face and biography like a book and without attribution,” Adams said. “That’s sinful, sacrilegious and downright sad.”

In “Strictly Business,” almost everything depicted in the movie was encapsulated about Adams’ life in Hartford and Manhattan. She was clueless until she was alerted of this appropriation by one of her former bosses in New York after he spotted Adams’ face on Halle Berry in “John Wick 3, Parabellum.”

During her rehearsals for John Wick 3, Berry used her spy devices as a real life assassin and visited Adams in her townhouse with others to attack her. Some of those individuals included friends of Meghan Markle, who also appropriated the shape of Adam’s face and Adams’ nose. Markle’s friends allegedly teamed up with Berry to use unorthodox methods to “erase” Adams’ facial features in pictures.

Berry also, through her network, arranged to have an associate, a native of Ohio–like Berry–to move to Hartford. He and others allegedly have been secretly suppressing Adams as a journalist since 2019 because Adams called out Berry and her stealth tactics to cover up her crime.

Also, former Central Intelligence Agency operatives were allegedly using unknown devices for Berry to prevent Adams from knowing this information when Adams was an intern in former Sen. Edward Kennedy’s Education Office in 2009.

When contacted, Former CIA Director and Secretary of Defense Leon Panetta said he did not authorize any 10-year investigation into any intern then or now.

“I did not authorize any project with CIA agents to watch anyone in Kennedy’s office,” Panetta said.” [I] unequivocally did not order such an investigation during the time you stated nor for that matter any other time.”

And those perpetrating as CIA operatives “watching” the crime for 35 years, are considered cowards and criminals for aiding and abetting thieves in government offices, officials said.

“I’m glad they were fired,” Adams said. “They are traitors to the country. They caused an international fiasco that demands the world’s attention.”

Therefore, Adams said: “George Nelson, the directors, and producers have some explaining to do.”

Top Seventeen Scenes in “Strictly Business” that Depict Adams’ Life as an actress, model and club girl:

  1. Adams was a hostess “with the mostess” in Manhattan and Hartford.
  2. Adams was a trained method-actress and model, while she was a hostess.
  3. Adams was a club girl and was among the fly girls chauffeured in limousines to clubs like The Palladium.
  4. Adams was dating Wayne, a stockbroker and millionaire that was button-up. He thought Adams was the girl of his dreams; Waymon Tisdale played Adams’ friend.
  5. Adams had a romantic scene on the boardwalk in Manhattan with similar outfit. Almost all the scenes had similar outfits to Adams’
  6. Adams’ friend “Alfie,” who wanted to make it big, was played by Tommy Davidson.
  7. Adams was in an interlude with Tupac on the movie set of “Juice.” It was shown in the movie with another woman with Adams’ hairstyle.
  8. Adams was on a special movie set of “Malcolm X” at the Brooklyn Navy Yard.
  9. Adams was with three “rude boys” from Queens and Brooklyn.
  10. Adams’ exact outfits and style during her clubbing days was copied by Halle Berry and her handlers to make Berry “come off” like Adams did at clubs in NYC. Adams was asked to wear a wig and change her top and bootie for the special club scene in which Berry was asked to dance like Adams.
  11. The character, Waymon Tisdale, was shown sitting in a business office decorated like Adams’ office at Brooklyn College’s first newspaper, The Kingsman.
  12. Adams lived and worked in Harlem, where a crucial scene was shot.
  13. Monroe, played by Samuel L. Jackson, is like one of Adams’ former bosses
  14. Natalie was the name of Adams’ first best friend.
  15. Halle Berry mimicked Adams’ walk during a fashion shoot by New York Photographer, Clifton Brett. Berry wears similar outfits to Adams, especially in the club scene. Both Adams and Berry had identical looks after Berry appropriated Adams’ beauty pageant look.
  16. The bar scene with a bartender is also about Adams who worked a week as a bartender in training for T’Bones.
  17. The picture of the promotional poster on DVD is more like Adams than Berry, even the shape of the Adams’ bodice and her favorite outfit.

“Nelson George, the directors and producers have some explaining to do.”

Dr. Ann Marie Adams

See encapsulation of Adams’ experience below:

Photos courtesy of Clifton Brett, Warner Brothers Pictures, Boomerang, John Wick 3, Parabellum and the White House. Story as recapped to Ann Marie Adams by sources, who claim they were with the FBI. Additional editing and reporting by Dawn Sparks, Anthony Zepperi and Linden Houston. Other sources include Andre Harrell and State Department employees and other government officials, including U.S. Secret Service and the Federal Bureau of Investigations, who want to remain annonymous.

Available Soon: Read the copyright infringement lawsuit against Halle Berry on SCRIBD:

Ann Marie Adams v. Halle Marie Berry 

Posted in A & E, Business, Featured, Hartford, Nation, Sunday ReadComments (0)

ConnectiKid To Host Annual Gala Online


HARTFORD — ConnectiKids will host its 8th annual gala this September with 100 percent of the proceeds benefiting children in Hartford. This time, the event will be held online.

The festive and philanthropic evening taking place virtually will offer all an opportunity to both support children and celebrate nearly 42 years of service in Hartford and is scheduled for Sept. 26 at 6 p.m.

ConnectiKids has been educating and empowering children since it was established in 1978. Now, as young students navigate an academic year as never experienced before, they need you more than ever.

Please join ConnectiKids from the comfort of your own home for a virtual variety show style evening of music, spoken word and even a little magic, as it continues to be a consistent and encouraging force in children’s lives during this new school year and beyond.


The evening will include a silent auction with an array of gifts and services donated by local businesses.

Local live entertainment will delight guests and inspiring words will be shared by friends of ConnectiKids. The artistic and accomplished television personality, actress and performer, Alika Hope, will keep the crowd energized as our Mistress of Ceremonies for the evening.

Further details can be found on the ConnectiKids Facebook event page at http://facebook.com/ConnectiKids, as well as on the ConnectiKids website at http://ct-kids.org/. Tickets are available online at https://givebutter.com/ctkids.

The ConnectiKids 8th annual gala is sponsored by A&R Trucking. For sponsorship inquiries call (860) 522-8710.

Posted in A & E, Business, Hartford, Neighborhood, YouthComments (0)

Foundation Opens Application to Fund Artists


HARTFORD — With the onset of COVID-19, the arts is perhaps the hardest hit sector of the region’s economy, according to advocates.

That’s why the Hartford Foundation for Public Giving has announced the Catalyst for the Arts grant after a recent survey found that Hartford area arts organizations have seen more than a 60 percent reduction in employment as the public health crisis has stretched budgets to their limits, forced venues to be closed and led to the cancellation of countless fundraising events.

The program is expected to provide the tools and techniques to help the sector manage this new landscape.

The program is a strategic partnership between the Hartford Foundation, Fathom and Free Center/CO:LAB and is designed to shift the way arts organizations conduct individual operations, support each other for mutual success, and equitably cultivate truly diverse leaders that can bring the value of the arts to the center of broader community and policy dialogues.

The application to become part of the program is open to the arts community in the Hartford Foundation’s 29 town region.

“This collective capacity building opportunity is one of the approaches we are taking to support the arts sector during these challenging times,” said Jackie Coleman, senior education investments officer with the Hartford Foundation. “We look forward to the possibility of seeing not only the participating organizations transformation but their collective impact on the sector as a whole.”

“Fathom works with leaders to create conditions for unprecedented performance, and design futures that go beyond benchmarks of the past,” said Matt Reiniger, Associate Partner, Fathom. “We’re honored and excited to be a part of Catalyst for the Arts, where we’ll work directly with arts leaders to reimagine what’s possible and to create what’s needed to realize it.”

The program is seeking applicants representing small, medium, and large arts organizations of various types to participate in the program.

Only 15 organizations will be selected to participate, based on a competitive application process.

“Against all conceivable obstacles, the nature of art is to find a way,” said Richard Hollant, founder of CO:LAB and Free Center. “That’s how I see hope. I couldn’t be more excited about the opportunity to work with our creative community, to uncover all the benefits at the intersection of hope and ingenuity, and to evolve the role of art in the reimagining of our region.”

Posted in A & E, Hartford, West Hartford, WindsorComments (0)

The Cosby Show And Me


One woman’s journey after she learned The Cosby Show was based on her family in the 1980s.

By Ann-Marie Adams, Ph.D.  | @annmarieadams

What if I told you that The Cosby Show was partly based on me and my family during the 1980s? You would probably not believe it. But it is true.

That’s the conclusion after a seven-year investigation by private investigators and government officials. Providence guided us during this lengthy investigation when I lived in Avon, and political operatives prepared me in 2014 to run for Congress against former Congresswoman Elizabeth Esty–an academic exercise worth noting. It was during this “prep” time that I learned about this connection with The Cosby Show.

This fortuitous story of the connection began when former President Ronald Reagan visited Jamaica on April 7, 1982. During that one-day visit, Reagan’s security detail reportedly made contact with me and my family. My father was a electrical engineer, while working at the Government Printing Office. He owned a home in a suburb of Kingston. And my mother worked with a transportation company. If former President Barack Obama did not visit Jamaica on April 9, 2015, while I was covering the White House, I wouldn’t have believed this story. That’s because it was Obama’s first visit as president, and he was only the second sitting president to visit the Caribbean nation since its independence in 1962, according to MSNBC.

Also at play were these facts: In Jamaica, we were a middle-class family Reagan’s cabinet allegedly felt they should watch. After Reagan’s visit, several individuals made plans to put a family sitcom together. And it was called The Cosby Show, according to sources close to the U.S. federal, state and local governments.  The show aired on NBC from April 30, 1984 to September 20, 1992.

Photo Courtesy of Dr. Ann-Marie Adams

The Cosby Show’s character, Denise Huxtable, was based on me, I’m told. The character’s persona and likeness was exploited without our consent.

And the revelation about the origins of the show can also be found in Bill Cosby’s interview about how he came up with this idea.

Cosby first pitched the show about a working-class Honduran family. My father’s ancestors are from Honduras and Nicaragua. We had a wonderful life that included Sunday dinners and picnics in the park; but we weren’t exempt from obstacles. Although The Cosby Show was mainly focused on Cosby’s observations of family life, some of those observations were of my family. Moreover, the basic concept of the middle-class family depicted on the show is evident in my family: My older sibling wanted to be a doctor. Also, I wanted to be a lawyer. Those plans of ours were interrupted by government officials, according to sources close to the investigation.

In previous interviews, Cosby also stated the original conceptualization of the show: a working-class family that raised a successful child. (side note: Cosby’s wife suggested the show be based on a well-to do family). The original premise and casting choices for the sitcom, however, reaffirmed the initial concept in the pitch that was identical to my family and me.

So I’m telling my story.

Photo Courtesy of Dr. Ann-Marie Adams

Ann-Marie Adams and her father, whose nose, color and eyes Carsey Werner and Company executives distorted in almost all pictures

Several scenes were points of recognition of my family’s life in Jamaica and the U.S., especially my time at Brooklyn College. I also learned during the investigation that the casting directors and writers had our family in mind when they selected the actors. There are frighteningly similar personas in my family and the characters on the show. And a picture of The Cosby Show family and my family bear a striking resemblance. For example, Denise Huxtable is my doppelganger–and the investigators discovered the character’s traits are similar to mine. Theo is my brother’s doppelganger and a few scenes reflect the relationship with him and my father. Vanessa is my sister Andrea’s doppelganger and several scenes reflect her relationship between us. Rudy’s character is based on my brother. Articles about the casting claimed that the casting directors tried to find a boy at first but they couldn’t; so they used a girl for the role. Rudy is my niece Janel’s doppelganger. And the character Olivia is my other niece Franchista’s doppelganger. The optics resonate well to claim theft of services and copyright infringement.

Other similarities include Sondra, who shares traits with my cousin Carleen. Elvin is based on my brother Lloyd. Also, Aunt Vi is based on my cousin, Doreen, Lt. Martin Kindall, Denise’s husband is based on my cousin, Raymond. And of course, Claire Huxtable was based on my mother and older sister, Marcia. The patriarch of the television family, Cliff Huxtable portrays similar traits as my handsome father. Huxtable is my father’s doppleganger–not twin. Cosby’s conviction as a sex offender was not echoed in my family. In fact, my father has never been arrested for any crimes. This information, I believe, will allow people to differentiate between the actor and the individual the show was based on when talking about the circumstances around this NBC hit comedy in the 1980s and 1990s.

Photo Courtesy of The Cosby Show

Denise Huxtable and Heatcliff Huxtable as played on
The Cosby Show

In addition to those facts, several scenes were premised on the interpersonal dynamics of the relationships between me and my sisters, brothers and cousins. This was too much of a coincidence to those who were investigating us during the recent investigation and prep for Congress. The public must know that The Cosby Show itself is a creation by several actors, comediennes, writers and producers who may be unfamiliar with our family. However, a few undisclosed individuals close to recent investigation of Bill Cosby and the creation of the show gave me this information. So the very idea that it was based on our family was plausible to investigate further, officials said. I also learned that the 1990s spin off, A Different World, was based on me and my years at college. And the show, That’s So Raven, was based on my niece, Franchista.

Why we were picked for this social experiment will perhaps remain a secret to Reagan, his staff and others close to the show. The Caribbean’s strategic location to the Panama Canal gave us a clue as to why our family was at the center of a Cold War project. We requested other documents to uncover this mystery and are still waiting. Also, the United States Secret Service has disallowed open documentation of Reagan’s visit to Jamaica in 1982. But one thing was clear. After this revelation to me while I was covering the Obama White House, my family and I were the victim of a hate crime and cover up–because of the revelation of our connection to The Cosby Show.

Cosby and his associates are suspects in this crime, using unorthodox methods by Lansana Koroma of Philadelphia. So I reached out to Andrew Wyatt, his publicist. According to Wyatt, Cosby doesn’t want to talk about this affair right now.

Looking through old photographs, it was clear that the casting director used our family’s faces and likeness as a guide to casting those on the show. They were, indeed, our doppelgangers. The old pictures confirmed that much. After discovering we looked like the actors, who were selected for the pilot season that debut on September 20, 1992, we all were the victims of a hate crime to assault our faces and distort our images on television, print and with online photos.

The Cosby Show cast (below in the collage) was selected to have similar loks like that of our family members
Photo Courtesy of Dr. Ann-Marie Adams

This insidious plot to strip us of our individual identities and image as a middle-class and Christian family the show was based on also included an incredible effort to secretly strip us of our financial resources, including houses, cars and jobs. All this orchestrated crime during the long investigation was to hide our true identities and our impact on the show. Therefore, this sinister approach to the secret investigation must be addressed with force.

Perhaps the Bill Cosby trial in Philadelphia was divine justice when he was indicted on a day close to my father’s birthday. Also, Cosby failed to acknowledge our contributions to the show and as a result, his new family comedy slated for 2015 was canceled. But the United States State Department, state, city officials and other individual used to invade our privacy owe us more than an apology.

We are asking for the perpetrators of this crime to be held accountable with prison time–just like Bill Cosby–for the evil and covert attacks on our family to cover up this truth in the country. More important, we ask for reparation for our family because of years of disruptions and adverse experiences to discredit our claim to The Cosby Show.

Enough is enough. We want restorative justice–reparations.

Bill Cosby’s family as seen in Ebony Magazine. Photo Courtesy of Ebony Magazine

Dr. Ann-Marie Adams is an award-winning journalist and U.S. History Professor. She is also the founder of The Hartford Guardian, the first nonprofit, hyper-local publication in Connecticut. Previously, she was a journalist at The Hartford Courant, People Magazine, NBC 4 New York, the Washington Post, other regional publications and television newscasts.

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New Movie Going Experience in West Hartford with Cinépolis


WEST HARTFORD — Greater Hartford residents have another option for how to enjoy the movies.

Cinépolis USA, a leading world-class cinema exhibitor
known for its enhanced movie-going concepts, announced this week the grand opening date of August 16 for Cinépolis Luxury Cinemas West Hartford.

This announcement comes after a complete transformation of its previous theater that closed for renovations in March. 

Guests will enjoy a free small-sized popcorn for ticket holders during
opening weekend. Additionally, the first 100 ticketed guests on Friday
will receive a complimentary ticket to return, while supplies last. The
revitalized six-screen, 21,462-square-foot Cinépolis Luxury Cinemas West
Hartford marks the exhibitor’s first dine-in theater in the Northeast.
It highlights the brand’s signature guest experiences and specialty
film-viewing programs, while serving as the cinema anchor of Blue Back
Square shopping, living, dining, and entertainment district.

“We’re constantly looking for ways to improve the guest experience, and
this upgraded Luxury Cinema with enhanced dining and programming
exemplifies our commitment to offering an elevated and affordable
approach to entertainment,” said Luis Olloqui, CEO of Cinépolis USA. 

Following its multi-million dollar completion, Cinépolis Luxury Cinemas
West Hartford offers guests a movie-going experience with 359
fully-reclining leather seats in six auditoriums, each complete with
cutting-edge sound and high-definition projection technology. An upscale
lounge-style lobby space anchors the entry space complete with gourmet
concessions stand and seating options for guests to relax before or
after a movie.

Cinépolis Luxury Cinemas West Hartford offers a full menu and in-theater
waiter service for guests to order dine-in food direct to their seat at
the push of a button. Delivered by stealthy, ninja-like servers to
ensure for minimal movie disruption, the menu features fresh
ingredients, gluten-friendly and vegan friendly options and dishes
created with a chef inspired approach — from hummus plates, edamame and quesadillas to truffle flatbreads, salads and burgers — that are
satisfying but also easy to eat inside a dim auditorium. Pending
approval of a liquor license, Cinepolis will offer a full bar menu that
includes craft beer, specialty cocktails and hand-selected wine program.

On Tuesdays, the theater will participate in the brand’s signature
Cinépolis Handpicked weekly movie-viewing program and offer discounted
$7 tickets to all participants. Cinépolis Handpicked is a carefully
curated alternative programming series that features a wide variety of
digitally remastered specialty content, including favorite cult classic
films, nostalgic oldies, special concert events, documentaries, seasonal
favorites, and more. 

Cinépolis Luxury Cinemas West Hartford, located at 42 South Main Street,
West Hartford, will screen movies seven days a week with ticket prices
ranging from $7-12 for adults and $7-9 for children, with special $7
tickets on Tuesdays. Taxes and special format charges may apply. Guests
will be able to reserve seating via www.cinepolisusa.com [1] or the
Cinépolis USA APP upon the theater’s opening. For employment inquiries,
contact jobs@cinepolis.com

Posted in A & E, Business, FeaturedComments Off on New Movie Going Experience in West Hartford with Cinépolis

‘World’s Largest Bounce House’ to Invade Hartford Area


The Big Bounce America’s 2019 tour is bringing the most action-packed
experience of the year to the Hartford area on July 19.


The event will run until July 21 and will feature the world’s largest bounce house, which is 10,000 square-foot, a 900-foot long inflatable obstacle course.


The Big Bounce America tour is the largest touring inflatable event in the
entire world and will be taking place at the Granby’s Salmon Brook Park, 215 Salmon Brook St.


The Big Bounce America tour features three massive inflatable attractions:
the world’s largest bounce house, an incredible 900+ foot long obstacle
course, and a unique, space-themed wonderland, bringing family-friendly
entertainment to all new heights.

Posted in A & E, YouthComments (0)

Real Art Ways Debuts Documentary on First Filmmaker


HARTFORD — When Alice Guy-Blaché completed her first film in 1896 Paris, she became the first female filmmaker. But she was erased from the history books.

Until now.

A new film directed by Pamela B. Green and narrated by Jodi Foster tells the untold story of Guy-Blaché . It’s called, Be Natural: The Untold Story of Alice Guy-Blaché . It follows her rise from a Gaumont secretary to her appointment as head of production a year later, and her subsequent illustrious 20-year career in France and the United States. It also details her founding of her own studio and as a writer.

The documentary is 103 minutes long and is considered to be a “vital effort to right past wrongs and fix the messes made by men.” Be natural will open at Real Art Ways on May 24 and will run until May 30. Check her for show times here.

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Know Good Market Returns for Fourth Season in Parkville


HARTFORD — Hartford residents will have a chance to sample a variety of cuisines on Thursday at this year’s Know Good out-door market in Parkville.

The Know Good Market will be held on May 9 at 30 Bartholomew Ave. — between 1429 Park St. and the Tradehouse on Bartholomew Ave — in Hartford from 5 p.m. to 8 p.m.

The market, now in its fourth season, is on the second Thursday of every month from May through November with a holiday bazaar on Dec. 7. The Company — Breakfast, Lunch and Dinner — sponsors the family-friendly event.

Photo: Breakfast, Lunch and Dinner

This year’s market will feature returning favorites like Samba Cuisine, Mercado, Craftbird, Taco Tequila and a rotating cast of greater Hartford’s best street food vendors. Hog River Brewing Co. will be open next door as well as local artisan and craft vendors purveyors.  A host of local DJ’s will be back on the loading docks stage as well.

Organizers said the market is designed to create space for a shared cultural experience in Hartford and offer an experience of raw community celebration.

The “community focused environment”, they said,  welcomes about one thousand patrons every month and seeks to engage the community’s heart and stomach.

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Lunafest Film Festival Comes to Goodwin College


EAST HARTFORD — Lunafest, a short film festival that supports women, will be at Goodwin College on March 16.

The traveling festival features films by women with women leads and range from animation to fictional drama that cover issues such as women’s health, body image, relationships, cultural diversity and breaking barriers.

The event will begin at 2 p.m. at Goodwin at One Riverside Dr. in East Hartford.

Hailed as one of the most beautifully supported short film festival, the event is a way to empower women, organizers said.

The festival is hosted by Soroptimist International Central Connecticut Clubs and will benefit the organization’s Live Your Dream Awards.

Tickets are $15 and are available at lunafest.org.

Featured films are as follows:

  • “Today, Tomorrow and Yesterday,” an animated story of a woman finding her old diaries, by Jackie Files.
  • “Drummer Girl,” the story of a woman with a passion for music, by Sophie Hexter.
  • “Flip the Record,” a coming-of-age story about a Filipino-American girl, by Marie Jamora.
  • “War Paint,” the story of a woman facing racism and sexism, by Katrelle N. Kindred.
  • “Ur Dead to Me,” a story about a delivery woman learning about life, by Yonoko Li.
  • “The Final Show,” a story of a woman contemplating death, by Dana Nachman.
  • “Are We Good Parents?” a story about a girl who comes out to her family, by Bola Ogun.
  • “My Immigrant Story,” a documentary about director Yuriko Gamo Romer’s family.

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St. James Episcopal to Host the Vienna Boys’ Choir


WEST HARTFORD – The world-famous Vienna Boys’s Choir will give only one performance in Connecticut during its spring concert tour in the United States.

The Austrian ensemble will perform on April 2 at 7 p.m. at St. James’s Episcopal Church at 1018 Farmington Ave in West Hartford.

Artistic Director of Concerts at St. James Vaugh Mauren said the church is “extremely fortunate that the Vienna Boys Choir has included West Hartford in their 2019 tour.”

That’s because the choir gives about 300 concerts per year in locations across the world and is in high demand, he said.

“This concert is a rare opportunity for music lovers in the Greater Hartford region to have one of the finest boys choirs in the world,” Mauren said.

The Vienna Boy’s Choir, which traces its history to 1498, is known for their lively singing style and beautiful tone. Before 1918, the choir sang exclusively for the imperial court, at mass, concerts, private functions and on state occasions.

Mauren said that the choir will be heard in the natural acoustic of the church sanctuary that is “much more suited” to the boys’s voices than a larger venue.

The program will included the famous “O Fortuna” from Orff’s Carmina Burana, Renaissance and Baroque choral classics and selections from Broadway musicals. It will also end with favorite Strauss polkas and waltzes, including “The Beautiful Blue Danube.”

Tickets for the Vienna Boys Choir’s concert are priced from $20 to $65 and can be purchased here.

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